Did you know that Netflix has people who work as something called an Editorial Analyst? I didn’t know that, and neither did Fletch. At least he used to not know. For two years he worked a desk at CAA thinking his life path was to be an agent.He was yelled at and abused and thought it was all the general hazing that needed to happen in order to move up in the agency. Anything that went wrong was his fault. And the hours were terrible. And he mostly didn’t mind. Turned out though that what he really loved was doing coverage. Coverage is a written evaluation of a screenplay that summarizes its plot, analyzes its strengths and weaknesses, and recommends whether to pass on, consider, or recommend the script for production. And he was good at it. Fast. Concise. And his hit rate was 100%.Everything he sent through went to series Turns out that even when your boss is screaming at you, the clients can still take notice, especially when your hit rate is 100%. Which is how Fletcher got his perfect job: Netflix’s newest Editorial Analyst: watching, rating, tagging and annotating shows. He gets to work in TV, the hours are good and nobody yells at him. Sometimes an owl is just an owl, but sometimes an owl is an Editorial Analyst at Netflix. If that owl is Fletch that is!

Fletch is approximately 6” tall